Works
Every series in the gallery, with its whole run. Each drawing exists once; the seed under it is its name.
Tidewrite
Twenty lines of plotter ink and one of coral. The program bends them around a single swell; the seed decides where it rises.
Mira Okon, 2025
Generative drawing, pen plotter on cotton paper
50 × 50 cm print or 3840 × 2160 screen file
Edition of 12, every output different
$480 a screen edition, $260 a plotter print
5 of 12 still looking for a home. Example prices.
1/12 seed 3301
2/12 seed 1187
3/12 seed 5902
4/12 seed 2648
5/12 seed 7015
6/12 seed 4130
The run, in order (the first six of twelve). Ringed: 7/12, on the gallery wall.
Small Hours
A street at 3 a.m., built pixel by pixel. Each seed lights different windows; one is always coral.
Jonas Feld, 2024
Pixel work, 24 × 24 pixels
Screen file, shown on a 32-inch matte screen
Edition of 6, every output different
$390 a screen edition
2 of 6 still looking for a home. Example prices.
1/6 seed 212
2/6 seed 4806
3/6 seed 1739
4/6 seed 6650
5/6 seed 3094
6/6 seed 7721
The run, in order. Ringed: 3/6, on the gallery wall.
Slow Weather
Rings drift across the screen like pressure on a weather chart. The still here is one frame of the loop.
Ada Reyes-Lind, 2025
Screen loop, 6 minutes, silent
3840 × 2160 video file, looped
Edition of 6, every output different
$620 a screen edition
4 of 6 still looking for a home. Example prices.
1/6 seed 5018
2/6 seed 233
3/6 seed 6402
4/6 seed 1875
5/6 seed 4429
6/6 seed 9031
The run, in order. Ringed: 5/6, on the gallery wall.
Folded Rooms
Sixty-four tiles, each with two quarter circles, turned one way or the other. The seed turns them.
Tomasz Wren, 2023
Tile program, pen plotter on cotton paper
40 × 40 cm print
Edition of 6, every output different
$220 a plotter print
3 of 6 still looking for a home. Example prices.
1/6 seed 7310
2/6 seed 1452
3/6 seed 3968
4/6 seed 5207
5/6 seed 846
6/6 seed 6619
The run, in order. Ringed: 1/6, on the gallery wall.
Before you buy
Every work comes from the gallery with a certificate signed by the artist, naming the series, the edition number and the seed. The artist keeps the copyright; you may show the work at home and lend it to exhibitions.
Buying digital art: choose a work because you want to live with it. Prices of art can fall as well as rise, a digital edition can be hard to resell, and nothing on this site is investment or financial advice.
See the whole run on the wall
Open Wednesday to Sunday, late on Thursdays. Entry is free.